Focus Stacking

The little Olympus Tough TG-7 has an internal program to do a macro focus stack. It works. Captured with TG-7, 2025-07-07 10:03:52, 5.4mm, 1/250sec, f/3.2, ISO-100.

The little Olympus Tough TG-7 gave me another surprise a few days ago. I knew about its capability to stack focus frames in-camera for macro photography. What I did not know is that it does it fairly well and takes only a moment.

The Girl and I were on our normal summer trail and I had the TG-7 in my hip pocket. I noticed the sun on the nut of the gate lock that keeps four-wheel traffic from the fire road.

“That might make an interesting image…”

I paused a minute, while The Girl snuffled about, and set the camera to macro focus-stacking. When I pressed the shutter release, I heard the camera take several frames in quick succession. It then flashed an image for a few seconds and returned to ready mode.

The frame is pretty darned good. I am surprised.

I wonder what other things this little camera does this well.

Life is good.

Adobe Indigo

This is a test frame using the new Adobe Labs Indigo camera app. I did some light post-processing in PhotoLab7. Captured with iPhone 13 Pro Max, 2025-06-24 07:17:31, 5.7mm, 1/30sec, f/1.5, ISO-100.

My last iPhone upgrade was from an iPhone 11 Pro Max (I think, and iPhone 11 for sure) to the iPhone 13 Pro Max. I have not upgraded to the latest and greatest, and probably will not. That is a topic for another essay.

I also have tried any number of camera apps in my iPhones over the years. I was just reading through a recent email from DPReview about Adobe Lab’s new camera app, Indigo. I have not wanted to give up completely on the iPhone camera, but the quality of output is generally unsatisfactory. So, I decided to give the new Indigo app a chance.

The result of my first shot is the example above. It is a grab shot of my coffee mug, dust, residue, and all. I did a little post processing in PhotoLab7 to slightly improve the aesthetic.

From what I see, Indigo has promise. I will be doing more testing and grab some of the RAW images that it produces for post processing and review.

I do not care for Adobe’s change to a subscription model. For that reason, I eschew most of the their products. It does not matter to me whether they are the standard or not. I have alternatives that serve my needs. Indigo might be the exception to my rule.

Nonetheless, I remain grateful. Life is good.

Hawkins

I shot this just after sunset while walking The Girl a couple of nights ago. Captured with TG-7, 2025-06-21 19:42:27, 18mm, 1/50sec, f/4.9, ISO-800, SOOC JPG.

I will have a review of the Olympus Tough TG7 after I have more experience with the little camera. Based on my initial use of it, I have a good impression thus far. But, I need more experience to fully form my opinion of the little camera.

My use case for it is a field camera that I use to document my project work. I could use my iPhone, but better images can be made (I think) with a purpose-built tool. I spent several hours researching weatherproof or weather resistant cameras, particularly those that will fit into a pocket. I ended up with a TG7. It readily fits into the back pocket of my cargo pants.

I made this image Sunday evening while taking The Girl on our evening excursion. I wait until the Sun falls behind the Carson Range, then we head out for a half-mile walk once it cools down a little. Both of us benefit from the outside time.

The light was falling just enough that the sign made an impression. So, I paused, let her sniff at the nearby brush a bit (to leave pee-mail), and made this capture.

I have since learned I should dial down the compression a bit and/or shoot the Olympus raw format and post process the result. I will try both of these approaches for some upcoming test shots.

But, the SOOC images that I am getting from the TG7 are pretty good, in my opinion. Perhaps I do not have the critical eye of other photographers.

After the pause, The Girl and I headed home. She asked for her evening treat. I had mine, too. Then we hit the sack.

Life is good.

Olympus Tough TG-7

This is my new Olympus Tough TG-7. It will be the camera I use specifically for field work. It replaces a Panasonic ZS-40 that is not weather, water, and dust resistant.

This little camera came into my inventory last weekend. It is the replacement for an aging (and not well) Panasonic ZS-40. The latter served as a travel and field work camera for a several years, but was set aside a couple of years ago because of my dissatisfaction with its image quality.

I pulled it from storage a couple of years ago for a big field project. I found it inferior on a job site because it is susceptible to dust and sand. In fact, I thought it was damaged by a few grains of sand in the lens body. However, it seems to be working.

I did an important field walk a couple of weeks ago. I did not make any images or field notes. I should have. I did not want to use my phone as a camera. I should have.

What this told me is that I need a purpose-built tool for making images when I am working in the field. I need to ramp up my field notes as well, and back them up with images. So, that is my self-chastising for this failure.

That set me looking for a suitable replacement for the Panasonic and for my iPhone. Aside: I think the latter might be on its way out as well. More on that another time.

After a bit of research (a couple of hours), I decided that the Olympus Tough TG-7 might be an appropriate candidate. It is waterproof, dust proof, and drop resistant. (Supposedly, it is drop proof to two meters.) I chose red because it is more readily visible than black and less susceptible to solar heating.

After a few test shots, I ordered additional batteries and a lens hood/filter adapter. I will keep a UV filter on the camera despite it having protective glass over the lens.

I am carrying it on daily outings so I can learn to use it. It is quite capable and has a reasonable zoom range (optical). I am taking it to the field next week for its first thorough test as I need to document an extensive field walk on new projects.

My initial impression is that this is a solid compact camera. Despite the small sensor size (1/2.3 inches), the image quality seems much better than it should, based on previous experience. The SOOC JPEGs look good and I have posted several on this weblog already (the Daily Doggo being the most recent).

Not that the camera needs another review, but i will post my thoughts on the camera for my use-case later this summer, once I have more experience with it. There are lots of technical reviews out there, so I will provide a more subjective review based on my experience with the TG-7 in field use.

I think this is a good purchase and well worth the cost. We will see.

Now The Girl is ready for her daily outing. I think I will hit Subway for a breakfast sandwich and we will go up to our Spooner Summit site and get in a good hike. Then I can attend to completing my preparations for several days in the field.

Life is good. I am grateful.

Daily Doggo

I am working with a new compact camera, an Olympus Tough TG-7. I added a flash diffuser to the to the kit and used it to make this capture. I think I was beyond the working distance. Olympus TG-7 SOOC.

On Saturday, I took delivery of a new camera. It was purchased as my primary work/field camera. It is an Olympus Tough TG-7 compact. I will do a first impressions review of it shortly. But, I think it will be what I need.

The Girl posed for me. So I made a capture.

Life is good.

One-Armed Bandit

A one-armed bandit, found at the Red Hut Diner in Carson City, Nevada. Shot with Fuji X-E2 and Fujinon 35mm f/2 at f/2.8. Black and white from an in-camera conversion to the Fujifilm Acros film simulation.

As I have written many times, Wife used to tell me “You have a different way of looking at the world…” Long ago I bought a new Argus-Cosina 35mm SLR with the usual fast Nifty-Fifty. Carrying that camera, and reading Foothorap’s book, taught me to see. I had little money, but I had time and the little encouragement from the book (and some solid examples). So I taught myself to look.

After a couple of years paying for processing, a friend taught me to develop my film and I had access to the University club darkroom. Film was not too expensive, so I shot a lot of black and white, processed it, and even printed some frames. I rolled a lot of reusable canisters using bulk film and a daylight loader.

Now, 50-yeas later, I am still looking at the world. Like most of us, I always have a camera at hand — my iPhone. Most of the time I have a real camera at hand, likely the Fujifilm X100V but many times the Fujifilm X-T5.

A couple of Saturdays ago I decided to get breakfast (actually brunch) at the Red Hut. I carried the Fujifilm X-E2, a tiny little camera that matches the Fujinon f/2 lenses well to make a small kit. So I made a few images with the little X-E2 while waiting for my food.

One that I liked better than most was this old slot machine. I am confident it was current technology probably 50-years ago. Now it is a relic, but an interesting relic.

Life is good.

Olympus OM-3

This morning I enjoyed a nice mug of Joe and admired the new-to-me Olympus OM-3. Capture with iPhone 13 Pro Max, SOOC.

It has been a day. The weather turned more wintry last night and I woke to a gray day. I made my first mug of the day using my Aeropress and some Peet’s whole bean dark roast. I sat down at the computer to contemplate the day and enjoy my coffee and noticed the new-to-me Olympus OM-3 sitting on my desk. I decided to make an image to celebrate the arrival of one of my grail cameras.

The OM-3 did not sell in large numbers. It has a mechanical shutter, which I think is highly desirable. It has a sophisticated spot metering system that it shares with the OM-4 (electronic shutter) that is very powerful. The camera will average multiple spot readings to produce a proper exposure. There is a bit of a learning curve, but not bad. I have already figured it out.

My sample has some brassing on the edges and a bit of paint loss on the back. Although these cameras are collectible, my sample is user grade and I will use it.

I have a G.Zuiko 50mm f/1.4 lens in my inventory and I affixed that lens to the body. I ran about a half roll of 36-exposure film through it yesterday and need to finish off the roll. I checked the meter with my Minolta spot meter and the camera’s meter is within a half-stop of the Minolta. That is good enough. After I use it for a while I might send it in for a CLA. I might also replace the light seals.

I have a few Olympus lenses in my inventory. Many of the Olympus lenses are very good and the system is very small. I mean diminutive in stature; not a weak system.

It will be fun to put this camera through its paces. I just want some good light.

Yesterday I noticed that my Microsoft Office 365 installation needed to be updated (on my Mac). So I permitted the updater to do the work. On starting Word, I was greeted with “Welcome to Copilot” and I nearly shat myself. I have no desire to permit any AI on my computers, especially Microsoft’s. This seems like an open door to the software scraping my systems for data to feed the AI monster. NO THANK YOU!

And that is not just a “No!” it is a “Hell No!”

I think this might be the last straw. Big Tech seems to be invading everything now and I want nothing to do with it. In texting with my son and my grandson today, I realize that it is highly unlikely that I will neither be able to completely limit my exposure nor completely disconnect from the grid. But, I can take some steps to make me a harder target such that the ‘bots will tackle the easier targets instead of me.

In installed LibreOffice on my Mac this afternoon. After working with it some, I can decide if I can eliminate the Microsoft virus from my Mac. It is bad enough that Apple is asking me to turn on their AI. (I said no.) It also means that I am looking at Linux again as a possible refuge or at least a minimization of my exposure.

So I will set up a Linux computer and start doing some testing. I wonder what photography post-processing applications I can get running under Linux. I guess I will find out.

Tokina 28–85mm f/4, Reprise

Mount Scott and Slide Mountain, shot from Silver Saddle Ranch with the Sony A7iii and the Tokina 28–85mm f/4 zoom at 28mm and probably f/8. Post processing in DXO PhotoLab7 to boost the colors a bit and to remove the vignetting of the Tokina at 28mm.

Back in 2013 I was using a Sony NEX-5N mirrorless body and a Nikon D300 dSLR. I know this partly because I remember and partly because of this entry. Both of those cameras are crop-sensor cameras. Each has an APS-C size sensor. The lens that was the topic of the 2013 entry (and this entry) offers an image circle sufficient to cover a full-frame sensor.

I still have the D300, although it has not seen much use the last few years. I traded the NEX-5N to my buddy Jimmy years ago for some vintage glass and a little cash. The NEX-5N was replaced by the Fuji X-T1 when I dove in to the deep end on Fujifilm products.

I had a couple of full-frame (35mm) mirrorless cameras in my inventory until I recently them to fund an upgrade. The first was the original Sony A7S that I bought as an experiment (it was not the current version when I bought it). I used it to shoot old 35mm lenses so they would render as they were designed to do on a 35mm frame. A couple of years ago I decided to buy a little newer model (the A7Sii) so I would get the in-body image stabilization.

I recently sold both the A7S and A7Sii bodies, after buying a Sony A7iii. One of the reasons I sold my Sony A7S and A7Sii bodies is because most of my use for the full-frame body is to play around, literally, with old lenses. Old can mean anything from 30-years ago or more. Much of my collection is from the 1970s and some from earlier, back to the 1950s.

The A7Sii was an upgrade to the original A7S (in my case) simply to get the in-body image stabilization (IBIS). IBIS provides a usable image at low shutter speeds without a tripod. A couple of months ago I decided I did not use the extreme low-light capacity of the A7S bodies and had intended to sell the original A7S anyway. I bought a Sony A7iii because I still intend to work with my old camera lenses, but wanted a little more resolution and an updated camera experience.

OK, that is the backstory so back to the lens. Jimmy loaned me the Tokina back in 2013 for a test run. The performance I got from it justified the asking price, so I bought it. I used it a bit with the D300, but moved on to other things a few years later. Then last year I started working with my cameras more (the story has been told) and am working through my lens collection, sorting, testing, and deciding what to keep and what to sell.

Sunday morning I noticed the fat, squatty Tokina sitting on my Nikon shelf and picked it up. I am enjoying playing with non-standard focal lengths and I thought the 28–85mm range might be interesting on the full-frame sensor. I remembered shooting this lens with the D300 on a hike around the Marina with Jimmy and Ki up in Sparks one warm summer evening. (That was a good, good day!)

I pulled the images yesterday. There were only a few as I was distracted in the field. What I learned is slightly different from my experience with the crop-sensor bodies — there is some substantial vignetting at 28mm and f/4. It is not apparent in the upper image because vignetting is trivial to fix in post processing. There is a slider in PhotoLab and it takes only seconds to get it corrected.

The lens is reasonably sharp (for a zoom). The Sony colors are a little flat (in my opinion), but again that is trivial to fix in post processing. The range of focal lengths the Tokina provides is useful and I do not have a Nikkor zoom lens in that range. (That is a problem with a solution. I also have prime lenses that cover the focal length range.) So, although my thought was to sell the Tokina, I think I will keep it for now. If I can find a nice Nikkor or Tamron in that focal length range, then I might sell the Tokina. It would not be a good lens for a film camera unless one likes the vignetting.

The bottom shot is from the other end of the focal length range, 85mm. The light is not particularly good, but there was no vignetting and the lens is, again, reasonably sharp. It is certainly sharp enough for general photography.

In the end, my outing Sunday was good. The Girl and I got exercise. I chatted on the phone with my ham buddy, Dick, while walking. I made a few images, although none are portfolio grade. The captures gave me an idea for a post and that was tickled by the original post from 11-years ago.

I am grateful. Life is good.

Mount Scott and Slide Mountain, shot from Silver Saddle Ranch with the Sony A7iii and the Tokina 28–85mm f/4 zoom at 85mm and probably f/8. Post processing in DXO PhotoLab7.

Sera Over Shoulder Look

The new-to-me Sony A7iii arrived today. So I made a quick test shot with it and the Canon 55mm f/1.2 SSC. This is straight out of camera.

The new-to-me Sony A7iii arrived today. There’s plenty of battery to take with me camping, so I will. But I paused for a quick grab shot and The Girl was looking at me. The message is: “What are you doing? I want to go walk!” (Laughing out loud…)

She is bossy.

I am heading out to camp for the weekend. I need to make a quick grocery run and then finish loading the camper. It will be a good weekend.

I am grateful. Life is good.

Fujifilm Klasse

My new-to-me Fujifilm Klasse. It is not the perfect point-and-shoot, but it is very good. Shot with Nikon D750 and micro-Nikkor 55mm f/2.8 at f/5.6.

I am interested in some of the classic film cameras. The Fujifilm Klasse has been on my list for a few months, but finding one in decent condition at a reasonable price is a challenge.

For example, the Contax1 T2 or T3 is another interesting classic premium point-and-shoot camera. However, an influencer was seen using one and the price increased dramatically (and to stupid levels). They are bought by individuals with no knowledge of cameras (and probably photography) because a favorite content creator uses them. Meh!

OK, end of rant… I was able to snag a Klasse a few weeks ago at a reasonable price. It arrived in good physical condition and I am running a test roll through it as I write. There are a few more frames left on the roll before I send it in for processing and scanning. (I should finish the test roll today, then it will be on to another camera for a test roll.)

This is not a review2. I will likely write a review at a later date after spending time with the camera. What this article is about is the handling of this little camera as I have experienced it to date.

For me, this is a pocket camera. It will easily slip into a cargo pocket or a jacket pocket. It is small, sleek, and has a good complement of controls. It is also fully automatic if that is what you want.

Like most of them I looked at for sale, my instance has a tiny bit of wear on the back in the center, presumably from being worn on a strap and rubbing on the previous owner’s clothing. That is acceptable. It is not a new camera.

The tiny LCD display on the top panel provides a frame counter, flash status, and date readout when the camera is on. Lens f-stop and zone focus are set by dials on the top and front of the camera. The lens retracts into the body when the camera is off and extends when it is on. It is a lovely Fuji 38mm f/2.6 EBC lens. I am looking forward to the results of my first test roll to see if the glass lives up to the Fujifilm reputation for lenses. I expect it will.

The Klasse is one of my grail cameras. It is a premium point-and-shoot from a bygone era. I still shoot film and expect to continue shooting film as long as I can. In many ways, I prefer the look of film photographs to digital. I like the analog look.

It will be fun to run more film through this little camera. Like any fixed lens camera, there are many situations where the 38mm focal length will work well. However, there are others where I will want one of my interchangeable lens bodies (and a few lenses) in my bag. But the Klasse fits into my pocket.

There are four rolls of film on my desk waiting to be sent for processing. There will be another from the Klasse soon and another from the Nikon F2as shortly. Then they will go into the mail to be processed and scanned.

I am grateful. Life is good.

1Yes, Contax is not longer a German camera. It was bought by Kyocera long ago. It is still a good brand.

2I do not do technical reviews. There are a lot of those to be found on the Internet (easily searched) that have a lot of technical details about the cameras and lenses I use. I am more interested in the handling and aesthetic product of my cameras and lenses. Hence, I write reviews about those things.