The Mexican Ditch and Trail, shot with the Sony A7iii and the Vivitar Series 1 90mm f/2.5 macro, at f/8. Post processing with PhotoLab to clean up the image.
It is the first day of the week, Sunday 24 November 2024 and I am beginning this week’s (ha!) list of remainders.
MrLeica is a YT content creator and blogger who treats Leica cameras and glass, among other things.
After a couple of decades of being afraid to eat ham and bean soupr (DiL… “Oooh, that’s bad, Dad!”), I fond this recipe. I am going to try the the trick of using canned navy beans and washing them before making my soup to see if I can avoid a disaster (so to speak).
As part of their holiday sales event, Simpleshot (makers/purveyors of slingshots) did something I really do not care for — they shared my contact information with other small business in the outdoors market. I forgive them; it is easy enough to unsubscribe. One of the new vendors is Wazoo Gear. It made me chuckle when I free-associated “out the wazoo!”. Their offerings look OK to me. Simpleshot is recommended too.
Apple Music and its predecessor, iTunes, continues to lose the album art for my music collection. I have thought for a while now that I might want to disengage from the music connection to Apple. This list of music players might be an option.
Here is another set of iTunes alternatives. I think there might be a full entry on my love/hate relationship with iTunes and Apple Music.
The Silver Saddle Ranch compound, viewed from the south of the horse-working paddock. Shot with Sony A7iii and a Vivitar Series 1 90mm f/2.5 macro lens at f/8. Post processed with PhotoLab for black and white conversion and some cleanup.
The Girl and I got out Sunday for our daily walk. With the change in weather, we are walking Silver Saddle Ranch once again. The risk of snakes is abated but there remains a risk of other critters. I sometimes see a large coyote and there was a report of a mountain lion working a sheep ranch nearby.
I am reminded that life is inherently risky. The risk can be mitigated to some extent, but none of us get out of alive. There is no such thing as safe. But, I digress.
I found a Vivitar Series 1 90mm f/2.5 macro lens in my inventory. (I actually found a second sample and I have no idea how I got two. They were purchased long ago.) I carried it mounted to the Sony A7iii Saturday and Sunday and came away with a couple frames that are OK, by my estimation.
We had a great walk, except that Goofus, AKA The Girl, had too much energy and ran too hard. She limped around the house Sunday evening and Monday morning. So, I am going to have to mitigate that to some extent. With the coyote I saw yesterday and the mountain lion report, I need to keep her closer in anyway. She can still range out a bit, just not more than a few tens of feet.
The lens is quite good, especially given its age. It is plenty sharp, focuses quite close (and I have the extension that will let it focus to 1:1) without the extension, and the rendering is good. It was built by Tokina. Those lenses built by the Komine and Tokina companies were generally of higher quality than the run of the mill Vivitar glass.
The reputation of the Vivitar is that it produces a very nice background blur (bokeh) and renders an image well. It is useful for general photography when the focal length is appropriate.
So I made a few images as we walked. It is my way of rebuilding after focusing on problem solving. I give my mind a break from the analytical work and feed my soul.
When we came around to the northbound part of our trail, I noticed the scene of the ranch compound. The wave cloud over Mt. Scott added to the scene. It also begged to be in black and white, at least to me. I made the capture, while The Girl waited impatiently for me.
Because of the traffic, I put her on lead until we passed the compound. When I saw the way was clear, I released her from the lead but kept her close anyway.
As we approached the rig and the end of our outing, the Sun popped out from behind the clouds. I paused to make an image of the entry sign. I am working on a Silver Saddle Ranch gallery and the sign will make a nice theme photo.
When I reviewed the image, I noticed some chromatic aberration along the hard lines of the top of the stone. It is not prominent, but it is there. This is not unusual for vintage glass and is easy to correct in post processing. It also diminishes with an increase in f-number.
It was a good walk. Even with the overcast and cooler weather, I returned home refreshed. The Girl came home tired, and a tired dog is a happy dog.
I love walking the Silver Saddle Ranch open space area. It’s jointly managed by Carson City and BLM.
Since nearly being carried away by mosquitoes at the Riverview Park, The Girl and I have spent our morning walks to the south, along the Carson River on the Silver Saddle Ranch open space area. The ranch is still a working ranch with cattle and hay fields. I often meet the ranch manager while walking as he tends the irrigation system.
The capture is my morning view of the ranch compound. At one time this was a bustling ranch with a number of ranch hands all working from this area. It is nothing of what it once was, but remains a reminder of Nevada heritage. I am thankful that it is maintained as a place where I can spend time outdoors with The Girl.
It is also a place where I see many wild animals. There are mostly birds (and I do enjoy the raptors), but we see other species as well.
I shot this image with the Fujifilm X-H1 and the marvelous Vivitar Series 1 90mm f/2.5 macro lens that was built by Tokina, otherwise knows as the “Bokina.”
The Girl is often my model, being the girl I have handy and being good-looking.
After months of hunting and waiting on the-bay, I finally bought a Vivitar Series 1 90mm f/2.5 macro lens — the Tokina build. This lens is called the “Bokina” for obvious reasons. Something spectacular happened in the optical design that resulted in very smooth out of focus backgrounds. Hence derives its nickname.
I bought mine in Nikon mount, which means it will work on all of my Nikons, be it a film or digital camera. I am going to enjoy working with this lens. It is a classic by numerous standards.
