Tag: fuji x100s

The Fujifilm X100 Cameras

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My Fuji X100S, a great little camera. Shot with the Nikon D750 and a Nikkor 50mm f/1.8.

I bought a Fujifilm X100S “point-and-shoot” camera a few years ago. There was a lot of buzz about the X100V (two generations later than mine) at the time, but I did not want to buy new technology if I was not going to use it. I needed some experience with this type of camera.

So I bought a camera a couple of generations older at a lower price. I wanted to get a sense of how it worked and whether it would make images that I like. In part, it had to fit my approach to photography.

I am not a professional photographer. I am a dedicated amateur and make captures that interest me in some way. The subject has to be visually appealing, either because of geometry, or contrast, or even the nature of the subject.

I shot the X100S for a while and then got distracted by other things. One of those was amateur radio. I jumped into that hobby with both feet and my wallet. Hah!

But then work picked up (a lot) and I do not have time to go out in the field and spend several hours setting up a station and playing radio. I need to keep after the project work to meet my deadlines. Now, I know this will not last forever and I will find myself in a period of lighter workload. But, in the meantime, I noted (and have written in this weblog) that I need things in my life that nourish my soul. And so I picked up my cameras again because I can carry a camera when I am out doing something else and spend a few minutes working a subject that I encounter.

So, reenter the Fuji X100S. It is a relatively1 simple camera in the classic rangefinder style. It is reminiscent of the Leica rangefinders that some of the best street photographers used way back before I was a kid. It has a fixed focal length lens that is equivalent to a 35mm focal length (in a full frame camera). The lens is good and fast (f/2). It is sharp enough wide open. The sensor is excellent, even given it is several generations old.

The X100S lacks a couple of things I would really like to have. One is the upgraded sensor. The second is WiFi so I can transfer images directly to my iPhone (for obvious reasons).

However, the X100V is impossible to find. As a result, used cameras sell for several hundred bucks over new price! That is just crazy.

I called the shop where I bought my Fuji X-T5 and asked my salesman about this. His response was “It’s a social media thing. But you don’t want one of those. It will feel plasticky compared to your X-T5.”

He did not know I have an X100S so I have a good idea what the feel is like. It is not at all plasticky. It is a different camera than the X-T5 with a different use case. That is a use case that works me when I do not want to carry a complete kit, but want something better than my iPhone2.

Well, they just lost me as a customer. I do not know why a salesman would say such a thing about a solid piece of equipment.

Fuji Rumors indicates that the announcement of the X100V successor is about a year out. It will probably be nearly two years before we see a new camera. So, I will watch and wait for an X100V to come available at a reasonable price. I decided that I want the upgrade.

Update: I put in a Gixen snipe on a X100V that I won. It has one small ding on the top cap. That does not matter to me; I do not need a perfect camera, particularly one that will be carried in the field. I had to pay more than list for it, but not a king’s ransom, as a friend put it. It is now in my inventory and I am learning to use it.

There will be more about the X100V later. It is quite an evolution from the X100S.

1Simple is a relative term, particularly as applied the the X100 cameras. They can be set to be a point-and-shoot camera by turning all the dials to A and then, well, pointing and shooting. The cameras automation is quite capable. A more knowledgeable photographer will operate the camera by choosing which parts to automate and which to control. That is definitely not simple.

2I know that my iPhone 13 Pro Max has a sophisticated camera. And it does very well for the appropriate use case. But its control over depth of field is limited. And it does not handle like a real camera. I still use it, but there are times I want a real camera.

Daily Image — Silver Saddle Mailbox

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This is the mailbox at the Silver Saddle Ranch compound. Shot with the Fuji X100S at f/4. Post processing in Iridient Developer.

I was up early this morning, about 0500h. After a couple mugs of coffee and some work, it was time to get The Girl out to walk before the heat rose.

The air felt odd out at the ranch this morning… too warm for the given temperature and the wind was from the south. I was glad we got out relatively early because it felt like the day would warm quickly and be hot even if the forecast temperature was nearly ten degrees less than the day before.

I carried the Fuji X100S this morning. It is such a great little camera. The lens is quite good and the X-Trans sensor is still very good for a camera that is more than five-years old technology.

I made a capture of the parking area ahead sign, but it did not work. I will try again because it is geometrically interesting. I did settle on an image of the ranch mailbox. I do not know if mail is still delivered to the ranch, but there is a mailbox.

The shot was captured at f/4. I did not note the ISO and I pay little attention to shutter speed most of the time. I made some adjustments to the capture with Iridient Developer, mostly contrast but I bumped the saturation a bit and added a little sharpness. I spent about five minutes on post processing.

We had to hurry home because I had a meeting. It was still a good outing. Life is good.

Daily Image — Bales

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Alfalfa bales. Fujifilm X100S, f/4, processed to black and white in Iridient Developer.

On walkies this morning, I pulled myself out of my head many times. There is so much work at the moment that I keep being drawn back in to thinking instead of being. One of the reasons I love walking The Girl and carrying a camera is that both help me get out of my head and into my space.

The Girl does so because she requires attention to keep her from being so distracted she gets into trouble or roams too far out. I do not mind her hunt for critters in the sagelands… provided I keep sight of her and she does not get involved with Jacob-no-shoulders.

The camera helps me by directing my attention to things that might make an interesting photograph. This requires a different kind of attention that The Girl. It is also something that nourishes my soul. Actually, so does minding The Girl, but in different ways.

The work here is to stay out of my head. I have a tendency, some might say a proclivity, to overthink problems I am working on. It is particularly true when I have multiple projects active and there are problems that need solutions.

But, I do not want to spend all of my energy working. There are other things in life that are important too and The Girl is up near the top of that list.

This morning, in particular, I had a great struggle pushing the engineering problems out of my head and bringing my attention to my surroundings while out on our walk. Although I got out late (for this time of year) and the sun was quite warm, it was still a beautiful morning to walk and The Girl is so entertaining to watch.

The result was a partial success. I found myself lost in thought several times (too many) and consciously brought my attention back to the here and now1. It was difficult and each time I noticed I was looking at my feet (or the trail directly in front of my feet) and was oblivious to my surroundings I had to look up, shake my head (to clear the cobwebs), and pay attention.

We paused at the ranch compound and I noticed the ranch hands are moving alfalfa bales from the field to the hay bin. So we stepped into the yard, which made The Girl quite happy for new hunting grounds, and I paused at the haystack. There I found some possibles that I liked and made a few captures.

In the end, I chose this one. The image was made with the Fuji X100S at f/4. I did a little more post-processing on this one in Iridient Developer, converting it to black and white and making a small adjustment to the contrast.

1There is only here… there is only now.

Daily Image — First in Line

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The first in a long line of railroad tie posts. Captured with the Fuji X100S using the in-camera black and white conversion.

The Girl and I got out for walkies a little later than I like, now that the weather is truly summer. But there was an overcast, so we did not suffer the direct sun.

But that also meant that the light was not as nice. So I had a little trouble finding something that I liked.

Maybe I settled for this capture of a long gone fenceline. There is only a line of (more or less) vertical railroad ties that remain. The subject is the first (or the last) in that line.

Daily Image — Seen Better Days

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This poor cottonwood is hanging on, but it sure has seen better days. Capture with Fuji X100S, 23mm/2 at f/8.

On walkies out at Silver Saddle Ranch this morning, The Girl and I paused for me to make an image. I have been looking at this old cottonwood tree for a while now. This morning I thought that a black and white image with some red filtration might make an interesting capture.

So, while The Girl sniffed around looking for a lizard, I made a few captures with the Fuji X100S. After getting home and reviewing the lot from today’s outing, I like this one the best.

Post processing was simple. I used Iridient Developer to make a small adjustment to the contrast of the image and then exported it. That was all I did. The black and white conversion was done in-camera.

I bought the Fujifilm X100S a couple of years ago as an experiment. I wanted to know if I would like carrying this kind of camera in lieu of a more substantial kit. In many respects, this is a continuation of the street photographer’s kit started long ago by some excellent 35mm film photographers. The preferred camera of the time was a Leica rangefinder with a 35mm lens and black and white film.

The Fuji X100 series of cameras continues this tradition in a digital format. For the right subject (and mindset), this is an excellent approach and quite simple.