The Fujifilm X100 Cameras

My Fuji X100S, a great little camera. Shot with the Nikon D750 and a Nikkor 50mm f/1.8.

I bought a Fujifilm X100S “point-and-shoot” camera a few years ago. There was a lot of buzz about the X100V (two generations later than mine) at the time, but I did not want to buy new technology if I was not going to use it. I needed some experience with this type of camera.

So I bought a camera a couple of generations older at a lower price. I wanted to get a sense of how it worked and whether it would make images that I like. In part, it had to fit my approach to photography.

I am not a professional photographer. I am a dedicated amateur and make captures that interest me in some way. The subject has to be visually appealing, either because of geometry, or contrast, or even the nature of the subject.

I shot the X100S for a while and then got distracted by other things. One of those was amateur radio. I jumped into that hobby with both feet and my wallet. Hah!

But then work picked up (a lot) and I do not have time to go out in the field and spend several hours setting up a station and playing radio. I need to keep after the project work to meet my deadlines. Now, I know this will not last forever and I will find myself in a period of lighter workload. But, in the meantime, I noted (and have written in this weblog) that I need things in my life that nourish my soul. And so I picked up my cameras again because I can carry a camera when I am out doing something else and spend a few minutes working a subject that I encounter.

So, reenter the Fuji X100S. It is a relatively1 simple camera in the classic rangefinder style. It is reminiscent of the Leica rangefinders that some of the best street photographers used way back before I was a kid. It has a fixed focal length lens that is equivalent to a 35mm focal length (in a full frame camera). The lens is good and fast (f/2). It is sharp enough wide open. The sensor is excellent, even given it is several generations old.

The X100S lacks a couple of things I would really like to have. One is the upgraded sensor. The second is WiFi so I can transfer images directly to my iPhone (for obvious reasons).

However, the X100V is impossible to find. As a result, used cameras sell for several hundred bucks over new price! That is just crazy.

I called the shop where I bought my Fuji X-T5 and asked my salesman about this. His response was “It’s a social media thing. But you don’t want one of those. It will feel plasticky compared to your X-T5.”

He did not know I have an X100S so I have a good idea what the feel is like. It is not at all plasticky. It is a different camera than the X-T5 with a different use case. That is a use case that works me when I do not want to carry a complete kit, but want something better than my iPhone2.

Well, they just lost me as a customer. I do not know why a salesman would say such a thing about a solid piece of equipment.

Fuji Rumors indicates that the announcement of the X100V successor is about a year out. It will probably be nearly two years before we see a new camera. So, I will watch and wait for an X100V to come available at a reasonable price. I decided that I want the upgrade.

Update: I put in a Gixen snipe on a X100V that I won. It has one small ding on the top cap. That does not matter to me; I do not need a perfect camera, particularly one that will be carried in the field. I had to pay more than list for it, but not a king’s ransom, as a friend put it. It is now in my inventory and I am learning to use it.

There will be more about the X100V later. It is quite an evolution from the X100S.

1Simple is a relative term, particularly as applied the the X100 cameras. They can be set to be a point-and-shoot camera by turning all the dials to A and then, well, pointing and shooting. The cameras automation is quite capable. A more knowledgeable photographer will operate the camera by choosing which parts to automate and which to control. That is definitely not simple.

2I know that my iPhone 13 Pro Max has a sophisticated camera. And it does very well for the appropriate use case. But its control over depth of field is limited. And it does not handle like a real camera. I still use it, but there are times I want a real camera.

Daily Image — Desert Peach

I think this is the first time I saw a desert peach. Image captured with Fuji X-T5 and the Fujinon 18-55mm f/2.8-4 lens.

We were out for walkies about the normal time this morning — a little later than I want but early enough that the heat has not risen. We staged at the entrance to Silver Saddle Ranch, I gathered up my things and started my tracker, and got The Girl out of the rig.

Then we were off.

There was no traffic this morning. So Sera Sue had free rein most of the time. I called her back in now and again, for practice and to check on her. When we neared the choke points where we often encounter other walkers but I cannot see them, I called her in to heel (and also for practice). At the ranch compound there was a horse trailer parked so I put her on leash. That area is often congested anyway, so a leash is a good idea.

Along the way I spotted this desert peach. I saw the fruit on a number of these desert shrubs this year, but this is the first ripe fruit seen. Maybe I should try one.

In any event, it gave me a good image. We also had a good walk. I love walking with The Girl. Really, I just love The Girl.

Life is good.

Daily Image — Silver Saddle Mailbox

This is the mailbox at the Silver Saddle Ranch compound. Shot with the Fuji X100S at f/4. Post processing in Iridient Developer.

I was up early this morning, about 0500h. After a couple mugs of coffee and some work, it was time to get The Girl out to walk before the heat rose.

The air felt odd out at the ranch this morning… too warm for the given temperature and the wind was from the south. I was glad we got out relatively early because it felt like the day would warm quickly and be hot even if the forecast temperature was nearly ten degrees less than the day before.

I carried the Fuji X100S this morning. It is such a great little camera. The lens is quite good and the X-Trans sensor is still very good for a camera that is more than five-years old technology.

I made a capture of the parking area ahead sign, but it did not work. I will try again because it is geometrically interesting. I did settle on an image of the ranch mailbox. I do not know if mail is still delivered to the ranch, but there is a mailbox.

The shot was captured at f/4. I did not note the ISO and I pay little attention to shutter speed most of the time. I made some adjustments to the capture with Iridient Developer, mostly contrast but I bumped the saturation a bit and added a little sharpness. I spent about five minutes on post processing.

We had to hurry home because I had a meeting. It was still a good outing. Life is good.

Daily Image — Jupiter 8

I shot this with the Sony A7S and a Jupiter 8 50mm f/2 lens at f/8.

This morning was my morning to get out the new (to me) Jupiter 8 50mm f/2 lens I recently acquired. I affixed it to the Sony A7S (Mark I) and carried it with me when I got The Girl out for walkies.

I made several shots along the route and there are probably a couple more that are worth looking at a little more. However, after our walk I drove over to the east side of the Carson River and got The Girl out over there for a few minutes. I wanted to see the river.

This capture is alright, I think. It took a little adjustment to bring up the colors a bit. The contrast also needed some adjustment as it was a little flat. But I like the image.

I need to work with the lens more. It seems a little soft wide open, but has interesting bokeh wide open. It sharpens up by f/5.6 although the bokeh is lost.

I think the Industar 61 might be a better lens.

Daily Image — Industar 55mm f/2.8 Zeiss Copy

After her breakfast, she kindly posed for me on the sofa while I played around with a new lens. This is the Sony A7S camera with the Russian Industar 55mm f/2.8 Zeiss copy at f/5.6 and an ISO of 1600.

A few weeks ago I bought two lenses, both are Russian copies of Zeiss optical formulas. They came from Ukraine (lots of them there) from a reputable seller. I had to order a pair of Leica mount (39mm) to Sony FE and Fuji FX mounts so I can mount these on my cameras.

This first image is of my Girl after I fed her this morning. She patiently posed for me on the sofa while I played around with the Sony A7S (Mark I) and an Industar 55mm f/2.8. I finally settled on an f-stop of f/5.6 and bumped the ISO up to 6,400 to get the shutter speed up.

I downloaded the images to my iMac and used Iridient Developer to convert the out of camera JPEG to black and white. I made a small contrast adjustment and added a bit of sharpening to the result as well.

I like the image… and not just because of the subject matter. The lens is quite sharp at f/5.6 and has good contrast. I think this lens is a keeper.

Daily Image — Bales

Alfalfa bales. Fujifilm X100S, f/4, processed to black and white in Iridient Developer.

On walkies this morning, I pulled myself out of my head many times. There is so much work at the moment that I keep being drawn back in to thinking instead of being. One of the reasons I love walking The Girl and carrying a camera is that both help me get out of my head and into my space.

The Girl does so because she requires attention to keep her from being so distracted she gets into trouble or roams too far out. I do not mind her hunt for critters in the sagelands… provided I keep sight of her and she does not get involved with Jacob-no-shoulders.

The camera helps me by directing my attention to things that might make an interesting photograph. This requires a different kind of attention that The Girl. It is also something that nourishes my soul. Actually, so does minding The Girl, but in different ways.

The work here is to stay out of my head. I have a tendency, some might say a proclivity, to overthink problems I am working on. It is particularly true when I have multiple projects active and there are problems that need solutions.

But, I do not want to spend all of my energy working. There are other things in life that are important too and The Girl is up near the top of that list.

This morning, in particular, I had a great struggle pushing the engineering problems out of my head and bringing my attention to my surroundings while out on our walk. Although I got out late (for this time of year) and the sun was quite warm, it was still a beautiful morning to walk and The Girl is so entertaining to watch.

The result was a partial success. I found myself lost in thought several times (too many) and consciously brought my attention back to the here and now1. It was difficult and each time I noticed I was looking at my feet (or the trail directly in front of my feet) and was oblivious to my surroundings I had to look up, shake my head (to clear the cobwebs), and pay attention.

We paused at the ranch compound and I noticed the ranch hands are moving alfalfa bales from the field to the hay bin. So we stepped into the yard, which made The Girl quite happy for new hunting grounds, and I paused at the haystack. There I found some possibles that I liked and made a few captures.

In the end, I chose this one. The image was made with the Fuji X100S at f/4. I did a little more post-processing on this one in Iridient Developer, converting it to black and white and making a small adjustment to the contrast.

1There is only here… there is only now.

Daily Image — First in Line

The first in a long line of railroad tie posts. Captured with the Fuji X100S using the in-camera black and white conversion.

The Girl and I got out for walkies a little later than I like, now that the weather is truly summer. But there was an overcast, so we did not suffer the direct sun.

But that also meant that the light was not as nice. So I had a little trouble finding something that I liked.

Maybe I settled for this capture of a long gone fenceline. There is only a line of (more or less) vertical railroad ties that remain. The subject is the first (or the last) in that line.

Daily Image — Seen Better Days

This poor cottonwood is hanging on, but it sure has seen better days. Capture with Fuji X100S, 23mm/2 at f/8.

On walkies out at Silver Saddle Ranch this morning, The Girl and I paused for me to make an image. I have been looking at this old cottonwood tree for a while now. This morning I thought that a black and white image with some red filtration might make an interesting capture.

So, while The Girl sniffed around looking for a lizard, I made a few captures with the Fuji X100S. After getting home and reviewing the lot from today’s outing, I like this one the best.

Post processing was simple. I used Iridient Developer to make a small adjustment to the contrast of the image and then exported it. That was all I did. The black and white conversion was done in-camera.

I bought the Fujifilm X100S a couple of years ago as an experiment. I wanted to know if I would like carrying this kind of camera in lieu of a more substantial kit. In many respects, this is a continuation of the street photographer’s kit started long ago by some excellent 35mm film photographers. The preferred camera of the time was a Leica rangefinder with a 35mm lens and black and white film.

The Fuji X100 series of cameras continues this tradition in a digital format. For the right subject (and mindset), this is an excellent approach and quite simple.

A SOTA Weekend

The Girl passing by my KX1 station while we were on Hot Springs Mountain for a SOTA activation.

I wrote this over a year ago, but never got around to posting it. I am not sure why. Perhaps I set it aside to look for a photograph for the header. Or, perhaps I simply forgot about it. Nonetheless, it is not a bad story so I think I will tell it.

This weekend was a study in contrasts. Saturday, a friend and I drove up to the activation zone of Prison Hill, at the south side of Carson City. The trail to the top is no challenge for the 4Runner and I’m not a hard driver.

So I had the luxury of computer logging, full output power from the KX3, a table to work from, and a nice chair. The antenna was a kit-built EFHW in inverted-L using a SOTAbeams 10m travel mast. It was a fun afternoon with a friend and my dog, although neither of them participated in the radio fun (the friend is licensed; the dog is not).

This morning I decided I had so much fun yesterday that I would do it again, this time Hot Springs Mountain. It was just doggo and me. I attempted an approach from the west side, but the last half-mile was a rough trail of scrabble and I did not think the 4Runner would traverse it.

So I drove around to the south side and up a sand wash. The sand had a little moisture from the last snow and I was able to stay on top of the sand by keeping up my speed.

I expected the sand ravine near the top and there it was. I was sure I could get down to the bottom of the ravine, but figured that’s where I would stay.

So, I got out my KX1 kit (shack in a small Pelican box), a bottle of water, a 3Ah LFP battery (gives just a little more output power from the little KX1 and will run forever), and the SOTAbeams mast.

The SOTAbeams travel mast leaned up against a rock cairn atop Hot Springs Mountain. An end fed random wire is affixed to the top of the antenna for the activation.
Doggo has four-paw drive, but not so this old man. She sprinted back and forth urging me on while I trudged up the remaining quartile mile of trail, pausing now and again to catch my breath.

There was a cairn in the activation zone and I found a way to stabilize the mast against the cairn with a Voile strap I brought along, just in case. I stretched the wire I carry in the kit along the mast and threw the second bundle of wires I use for a counterpoise on the rocks.

The radio matched the antenna readily and the 40m noon net (7.2835MHz) NCO heard me. So I knew I had a working station.

Over the next hour and a half I worked 17 stations on 40m, 30m, and 20m, including a couple of summit-to-summit operators. Doggo sat patiently next to me, enjoying the sun and the view.

I was on 20m when the antenna was blown over by the wind a second time. It had come up near the end of my operation.

I finished landing the fish I had on the line and announced my QRT, followed by a post to the SOTAwatch portal. It only took me a few minutes to tear down and head back down the hill.

I should mention that I used the backup key for this activation. The key I had been using failed during the first part of my activation. Fortunately, I keep the factory key in the kit as a backup. It’s not my favorite key, but it is a working key.

The contrast in the two ops is striking. Saturday was what I’ll GLOTA (glam-SOTA), with all the luxuries one could want in the field. Today I earned my contacts the hard way — by humping up the last, steepest, part of the hill.

Both days were good. Today was better. I’m whupped!

Daily Image — NDOT

The sign at the main entrance. I have walked past this sign many, many times.

Over the last eight years, there is no telling how many times I walked past this sign for the Nevada Department of Transportation. I know Ki and I walked past it many times on our daily sojourns. Now Sera and I are walking past it as I give her foot a rest from the rough sand and sharp brush of the sagelands.

A couple of weeks ago I started carrying a camera (other than my iPhone) on a daily basis. This was written about before. So long as the carrying of said camera nourishes me, I will continue to do it.

I am sure that not every outing will be fruitful. My Instagram feed is full of these images from daily outings. Much of it is not very good work, but it represents a substantial body of work. There are years’ worth of images on my IG feed. It is a pity that FB ruined IG so.

I started posting on VERO again a few days ago. VERO is much like IG was before FB bought it. Then (and there) I followed a double-handful of other photographers and creative types. Every morning there was some joy at seeing what other interesting people were creating.

Now I find it a doomscroll — looking for the dopamine hit from finding something interesting or amusing or odd. I do not really want to leave IG, because there are people there I follow that are doing interesting things. But the signal-to-noise ratio is poor and I am wasting part of my day every day looking at things I do not really care to see in order to find the very few I want to see.

I do not know if it is possible to offload my images in a stream. If I could, I would be very tempted to reclaim my work from IG and close my account.

But, I ruminate. Today’s image is a reflection on the many times my companions and I walked past the NDOT entry sign. The lot is nearly empty on weekends, when the workers are off doing their own thing. It gives Sera and I a chance to take in the space and for me to be aware of anything interesting to capture with my camera.

This morning’s walk was a good walk, if a little late and a little warm. The Girl enjoyed the hunt for ground squirrels and the wet grass. I enjoyed the chance to ruminate on all those times Ki and I walked a good part of this route.

Tomorrow we head out to Summit Lake, Nevada for field work. I will be in the field most of the week collecting supplemental topographic data. There will be some different things to photograph and I will have Internet service in the evenings at the research station. I hope to post a few images while out there.

It was a good day. Life is good.