Category: photography

Bausch & Lomb

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fp1fp2My friend Les loaned me this old Bausch & Lomb 100mm f/2.3 lens. He added a Nikon F-mount and focusing helicoid to it. I took it out and spent some time with it. It’s obvious from the image at the right that the lens is a bit soft wide open, but is much better by f/4 or f/5.6. That is shown in the second image below, that was shot at about f/5.6. The background is not quite as pleasant, but the image is much sharper.

The image quality is quite good and the bokeh is pleasant (smooth). It’s a good lens. The iris fascinates me — so many blades. So the aperture is nearly circular throughout the full range of stops.

It’s a really neat piece of vintage glass.

Discarded

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Discarded

While walking my Girl, I often come upon interesting (read odd) things. One afternoon while heading out to the sagebrush lands, I found this old aerosol can half-buried in the soil. I like the juxtaposition of tones and textures, so I paused to make the capture.

Mandelbrot

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Mandlebrot

One morning a couple of weeks ago, the Girl and I went walking. It was a cold, frosty morning but I had my D300 along with me. The frost pattern on the neighbor’s car reminded me of the Mandelbrot set, so I made the capture.

Later, I decided the image might be interesting if processed as a black and white shot, then toned. It was used for a class assignment and the result was interesting, at least to me.

Icy

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Icy

This was a capture made on morning walkies. The icicles were just gorgeous with the sun shining through them. The capture was made with my D300 and a 105mm f/4 micro-Nikkor. The black and white conversion and toning was done with Photoshop.

A Pair

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A Pair

A couple of weeks ago I made an attempt to photograph wildlife. Out of about four hours spent in the field, I came home with a couple of decent captures. This is one of them. It was shot with my Sony-NEX5N and a TEVE Berlin lens converted to Nikon mount.

Modern Photography

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Pentax 645Many years ago when I first began making images seriously1, my grandmother bought me a subscription to Modern Photography. It was probably my first exposure to a fan magazine, a magazine that floats the area somewhere outside the professional’s trade magazine or journal. It was a source of a lot of information that I used as I learned how to handle a camera.

The good parts were that they reviewed and tested a lot of cameras, lenses, and films. They also had a solid testing regimen. (I’ll get to that in a moment.) All the big boys advertised in it and the back was filled with the discounter’s advertisements. Those were places I spent quite a lot of time, because I had a lot of time and no money. I do not recall if I ever bought anything from the big-city discounters. But I sure poured over those multi-page advertisements.

I hadn’t realized it, but learned this morning that Modern Photography is long gone. When I read about that this morning, I felt that old familiar sadness that seems to come more these days. Something good is lost. That is the nature of life. Everything dies. It’s a good thing to remember that and enjoy those things that come into your circle. Because they are fleeting and might be there for a moment or a lifetime. But they will pass.

While researching lenses, I came across an interesting site, adaptall-2.org. This is a Tamron fan site dedicated to Tamron manual focus (best I can tell) glass. They have a lot of data posted and comparison test results with many legendary OEM lenses.

The Modern Photography connection is derived from the adaptall-2.org connection. The site curators are on the lookout for test results published by Modern Photography because the magazine’s testing regimen was more, um, regimented that that of the other big fan magazine, Popular Photography.

So, my experience with Modern Photography has come full circle, it seems. I started out reading (voraciously) the contents of that magazine decades ago. I lost the thread somewhere along the line, although I still read an issue now and again. Now I find myself back as a very serious amateur, researching cameras and glass once again. The work the Modern Photography staff did remains pertinent because my love of the art is not in the modern auto-everything technology, but in the technique and art of using cameras (analog or digital) and good glass to capture something interesting.

The camera is only a box that holds film or sensor. The magic is in the intellect, soul, and skill of the photographer. The connection between medium and subject is the glass. The box has to do its job — carry subject to medium and provide the exposure the photographer intends. The glass is the key connection and the better the glass the less distorted the image will be on the medium.

And that is my circle. Decades ago I was exposed to the slick pages of Modern Photography. We parted ways somewhere in between as my life changed and life imposed itself on me. Now that I’m back after the image again, I find myself confronted with the ghost of Modern Photography through the curation of the adaptall-2.org site owners. That fascinates me.

1I don’t do very much that I don’t do seriously — grammar Nazi, parse that!

Backlit

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Backlit

A few mornings or evenings ago, the Girl and I went on walkies. It was a very nice evening and the light was gorgeous. I carried my D300 along with me, although I don’t recall which lens was mounted. Textures and contrasts continue to fascinate me and so I made this capture.

This morning was quite different. It was about 22F this morning when we went walking. It was the kind of day that is too cold and too warm. I was overdressed for exercise but my hands were cold. I got sweaty and clammy from the exercise and was happy to be home, shed a layer, and get a dry shirt.

Dante’s Overlook

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Death Valley -- Dante's Overlook

On our way back from southern Nevada a couple of weeks ago, I drove through Death Valley. Although the Girl wasn’t welcome most of the places in the park, we were able to get out and walk around the parking lot for Dante’s Overlook. I even managed to snag a couple of decent frames.

The shot was captured with my D300 and a Tokina 28–85mm f/4 coffee cup lens. I probably made the capture at about f/8, which is a good aperture for that lens.

Incoming

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Incoming

Last Saturday my friend Les invited me to one of the Minden ponds where he believed there might be some “action.” So, the Girl and I headed for Minden early. I wanted a bite and a coffee and wanted to take her to the park to run off her morning energy. Ronald provided a biscuit, a burrito, a coffee, and some oatmeal cookies (hat tip to Wife for the cookies). I refused to sit on the stone park bench, deciding that I’d rather preserve the heat in my butt than sit.

The Girl sniffed around and did her morning routine while I ate. She returned to me several times to check for hand-outs. Of course, she got a couple because she didn’t eat her breakfast before we left. Then we played with a ball for a few minutes and headed for the pond.

Les and I set up near the pond. He brought a blind and some of his odd lenses. I used my NEX for this shoot because it has focus-peaking and a decent live view. It was my first time working from a blind and I learned quite a lot. I came away with a couple of decent frames, but not many.

The waterfowl decided that there would be only a little action Saturday. But I’ll be better prepared next time. And I enjoyed working the blind. The Girl was wonderful, spending most of her time either sleeping next to me in the blind or sunning herself on the pond bank. She had a good time, too, I think.