On my way down to southern Nevada, I saw something bright against the horizon just north from Tonopah, Nevada. I had no idea what it was that I saw. I only knew that it was very bright, almost blindingly bright even in the distance.
I watched as I passed the location, drove through Tonopah, and continued toward my destination. My schedule did not permit me to stop and explore. It would have to wait for another time.
That time arrived a few days later, on my way home from the site work. I was hot and tired after working much of the morning in the southern Nevada heat, but I knew it might be weeks or months before I passed this way again. So I elected to take a few minutes and explore.
A summer thundershower was rolling in from the southeast as I approached. I could see that the structure was huge. I figured out what it was long before I got close enough to see it clearly. It is the Crescent Dunes Solar Energy Project, privately owned. Of course, by the time I got in position to make a good capture, the dust was blowing and the sun was absent. So the impact was just not there.
Now I know I’ll have to return. Perhaps a sunny winter day would be a good time to visit Tonopah, make some captures of this wonder, and visit the mining museum there in Tonopah.
The Girl and I were poking about the old flume wetland yesterday morning. The sun was pretty and the bright yellow of these sunnies caught my eye. So we paused while I made a couple of captures and the Girl did doggies things.
She never seems to mind my pauses. Although if my visit with another person goes too long, she will ask to move along. Heh…
On this morning I had the Fuji X-T1 with a Micro-Nikkor 104mm f/4 mounted on a Metabones Ultra Turbo Booster that’s been languishing in my collection for awhile. I decided it was time to get out the X-T1 and some of my favorite Nikkors and work with them.
One of the things I like about Fuji glass is that it is impeccable. It is sharp, has good color rendition, and has low distortion. However, I also think the images are a bit sterile. They lack the character that legacy glass provides.
It seems that if I want really accurate reproduction of the subject, then the Fuji glass is the way to go. However, if I’m looking to explore the interaction of light and lens, then legacy glass has its appeal.
I also enjoy experimenting with odd glass as well. I am playing with 16mm movie camera lenses on my Micro 4/3s body. I also play with TV lenses on that one as well. The Micro 4/3s format is nearly perfect for glass with image circles that are intended for small sensors.
But I’m really entering into another discussion than the one appropriate for this entry.