From the gazebo overlooking Washoe Valley, I shot this frame with the Fuji X-T1 and the Voigtlander 27mm f/2 at f/8 raw. I post-processed the image with Photolab 7 to look like Kodachrome 64.
When The Girl and I paused at the gazebo that overlooks Washoe Valley from the south yesterday, I made a few captures with the (now ancient) Fujifilm X-T1 and the Voigtlander 27mm f/2 manual focus lens (in X-Mount).
I really like this vantage point and should probably get up really early and hike it so I can catch some morning Sun just striking the valley floor. That would probably make it worth dragging the Pentax 645Nii and shooting some film.
While I stood there just taking in the scene, I thought how interesting it might be to bring a large format film camera to this location and make some captures on black and white film. With the proper filtration, the sky could be darkened to make the contrast pop. That would be best if there were a few clouds.
A couple of color frames might be interesting as well.
The Girl ignored my thoughts, of course, and focused on cooling down and her water bowl.
When I put away her bowl and stowed my camera, she jumped up, ready to continue the lizard hunt. We headed back down the hill, both satisfied and a little warm.
The Girl leading me down Deadman’s Creek Trail out at Washoe Lake State Park. Shot with Fujifilm X-T1, Voigtlander 27mm f/2 at f/8, and post-processed to a Tmax 400 film simulation using Nik Silver Efex Pro 6 and DXO Photolab 7.
After my physician’s appointment this morning, I decided to take The Girl out to Deadman’s Creek trail for our daily outing. It was not too hot (could have been on the south facing side of the climb) and I was surprised at the amount of vegetation growing along the creek and the coolness caused by said vegetation’s respiration. It was very cool, literally and figuratively.
The climbout tested me a bit and I was very watchful of the girl as there can be rattlesnakes there. It seems that previous traffic motivated the snakes to stay away from the trail, so The Girl had some fun chasing lizards and rodents while we hiked.
We paused at the gazebo overlook for a water break and for me to make a few captures of Washoe Lake and Slide Mountain. I finished the test roll in the Fujifilm Klasse and made a few more captures with the Fujifilm X-T1 and a lovely little Voigtlander 27mm f/2 lens. That X-T1 has been carried a lot and the body shows it. But the shutter does not have a high count because I shoot all of my cameras like I do film — deliberately.
I saw another hiker with two dogs depart the staging area, so decided to be watchful on our return trip. But, they took the cutoff (which is marked “Do not cut the trail“) and there was no canine encounter. I think that is just as well as they seemed pretty active and Sera would have loved to engage.
Maybe it would have been alright. I just never know until the dogs meet. Don’t start none; won’t be none.
As we reentered the cool of the vegetation along the creek (still water in it too, which she enjoyed), I noticed her waggle as she advanced down the trail. I made the capture.
When I arrived back home, got some stuff done, and then reviewed the images, the caption came to mind. We do wander quite a lot, The Girl and I. We are rarely lost, though. We simply like to wander.
A capture of Smurfette with the Fujifilm X-T1 and a Zhongyi 35mm f/0.95 lens. Post-processing in the iPhone 13 Pro Max using Snapseed.
I needed an image for my Project 365 this evening. The Fujifilm X-T1 with a Zhongyi 35mm f/0.95 manual focus lens was sitting on my desk. I picked it up and made the capture of Smurfette. She sits on my worktable, a toy I found lost or discarded in the backyard of my apartment. I am sure there is a story there. After washing her with a toothbrush and some detergent, I decided she needed a home and my place is as good as any.
It makes me think I should get out some of my Schleich toy animals and feature them on my desk, in rotation. They accompanied me on my walk-about after Wife died. I would get them out wherever I landed and put them on my desk for company when I worked.
The Girl and I had a good hike this morning. We went up in the mountains again. We were blessed with a bit of high clouds so the Sun was not so brutal.
When we got home, I visited with Older Son while I grilled a hamburger for lunch. Lunch was good, with the hamburger dressed with Pepperjack cheese, lettuce, a slice of red onion and some tomato, and spicy mustard. It was tasty.
I also finished the install of my Starlink system here at the house. I bought a Starlink late last year so I could have Internet service while traveling. This releases me from the desk because I can work anywhere. There is no reason to pay for landline Internet and Starlink, so I decommissioned the landline and access point/router, installed a wall pass-through for the Starlink cable, and added a Ethernet switch for the wired connections. I also terminated my ISP service and will return their equipment this week.
I am working on getting my workroom in order. I still need to clean the PC side of my workspace, strip and recycle the old tower, and transfer the 32-inch monitor to the new laptop computer. I can use the extra screen real estate for my work. I might start that process tomorrow.
Much of the week will be spent in the field surveying. I have some office work to do as well, which is good with the money I have been spending.
I am reading a set of E-zines I purchased from Sean Tucker, a UK-based photographer and writer who reminds me much of myself. Although, he does a lot more portraits than I do. But, much of his other work does remind me of my own photographic interests.
It was a good day. The Girl wants some of my attention, so I think it time to move to the sofa so she can snuggle. After I fed her, she started asking. Now she is waiting patiently on her bed under my worktable.
I have so many images of my Girl. This one was shot with the Fujifilm X-T1, the Meike 35mm f/0.95 wide open, and converted in-camera using Pro-Negative film simulation, SOOC.
I shot this image a few minutes ago for a daily image. I take a lot of photos of The Girl. She is a ready model, does not mind, and is good looking. She also has so many aspects to her personality that she presents many photo-ops.
I have a Shawn Mullins album playing in the background, Beneath the Velvet Sun. One of the songs, Amy’s Eyes brought a tear to my eye. When I dealt with my depression, so many years ago, this song was a reminder of how Wife saw the world through different eyes than I do. The world just seemed to be a bit brighter for her and I envied that, a little.
In time I got better, but the observation remained — Wife just seemed to see the world a little brighter than I do. Although she died more than a decade ago, her presence is still missed. I especially miss her voice. We talked a lot, much of it inconsequential, but that did not matter.
Now that it is cooling off, I think it is time to hit the rack. The morning will come quickly and there are some things to do tomorrow.
The well-worn trail from the sand pit to Mexican Ditch at Silver Saddle Ranch. Fujifilm X-T1, Fujinon 35mm f/2 at f/8. Raw image converted to Acros film simulation in-camera. Straight out of camera.
We hiked out at Silver Saddle Ranch the last few days. It is closer to the house and the weather has been cooler, so Sera does not get too hot. I am on the watch for snakes and keep her close in. There is also the chance of encountering another canine and she can be reactive (depending on the other dog).
On this particular hike, I carried the Fuji X-T1 (my first Fujifilm camera) with the little Fujinon 35mm f/2 lens. It is from Fuji’s compact lens series, which remind me of the old film rangefinder camera lenses. The rangefinder cameras and their lenses tended to be compact (and good). There was also less of a range of focal lengths for those cameras because of the limitations of the rangefinder focusing system.
But, I digress. I do like to talk about equipment.
I struggled to keep my attention focused on my space. My mind wandered in every direction, that barking dog or chattering monkey figuratively trailing me on the trail. It took effort to reign in my wandery mind and focus on my Girl and our hike. The camera I brought to help me with that did not help. I struggled to find a subject to capture or a place to pose The Girl so I could make an image.
I elected to carry the old X-T1 because it is small and the 35mm lens offers a different look at things than the 23mm of the X100V. I thought about tossing another lens into the bag before we left the house, but elected to keep the kit small. A recent goal is to keep things as simple as practical because of my propensity for making things overly complicated.
Aside: As I write this early Wednesday morning, Sera just wandered in to my workroom to check on me. She looked at me, made eye contact, and asked if I am OK. She knows I am up early, even for me, and decided to check on me. After some interaction, a few pets, a doggie smile, she headed back to bed. I will return there and sleep a bit more before I really start my day.
For most of the last year, I have been shooting mostly JPG images with the Fuji X Weekly film simulations. The Fuji cameras are particularly good at reproducing certain film looks and I want that film look. (That means I need to shoot more film, I think.)
But, over the last week or so, I decided to revert back to shooting in RAW and then post-processing the RAW files to a processed (in-camera or at the computer) JPG after the fact. I generally have an idea whether I am looking at a subject that will present better in black and white or color.
So, for the trail image above, I knew that I would produce a black and white image. I also knew I wanted to use one of the embedded film simulations in the X-T1. The ACROS seems like the one to use.
Today and tomorrow I will finish up my preparations for a Field Day 2024 expedition. I will camp with friends out south from Smith Valley, Nevada. We will have a good time of radio play and fellowship.
When I come home Monday, I will have to do a quick reprovision of the camper because I have field work the remainder of next week. Then I expect to be home for a bit as I have a number of personal projects to work on before the summer ends.
Camping is good. The fellowship of friends is also good. Life is good. I am grateful.
On the road to Pahrump, there is a little town called Crystal, Nevada.
On the road down to Pahrump, Nevada, we paused for a leg stretch and to watch the Sun set. Everyone else was hurrying on their way to wherever they were going. We watched them rush by while The Girl and Older Son puttered around the desolate landscape.
There are some odd places in this part of Nevada. Hoy’s “Lovership” appears to be one of them. [shudders] No, we didn’t stop there.
This morning it will be time to head back to the house. I think we accomplished what needed to be done here. Now it is time for me to work on the project and finish it up.
Work once again brings me to Pahrump, Nevada. I’ll have field work to do for the next couple of days. Then we’ll head back home again.
The drive down was uneventful, for which I’m thankful. The weather was good and the Sun felt good on my body. The Girl snoozed most of the way here, which means she slept most of the day. We did take a couple of breaks to get out of the rig and move around.
But she had quite a lot of pent-up energy. So after getting settled into our room (Older Son is with us), we had a big-old play on the floor. She bounced between Older Son and me, and we roughed her up really well. She was mildly mouthy, which is unusual for her, but she was so gentle that I couldn’t bring myself to admonish her.
In the end, she posed for me before I got out her food for the evening. She was hungry, having forgone breakfast in the nervousness of impending travel.
We then walked over to the sports bar and got supper for the big dogs. I really enjoyed my salad.
I had to correct several personnel there about how to *not* deal with a service dog. Everyone seems to think they can just approach a working dog and engage. So, once again I found myself having to train service personnel on the proper way to (not) interact with working dogs.
I’m pretty good at it. I’m not one of those handlers who loses their mind if someone looks at their dog. (There are many who will.) So I’m a good one for untrained service personnel to interact with.
It was good.
After a long time, our server finally reappeared with the check. She said “Sorry it took me so long. I had to break the bartender.”
I looked at her, raising my eyebrows, “Break the bartender,” with visions of her actually *breaking* someone. I began to laugh.
“No, no, no… I gave the bartender a break,” regardless of me giving her a hard time, she remained (mostly) nonplussed.
I laughed quite a lot. “You look pretty strong… I’ll bet you could break the bartender.”
I was still laughing about this as we paid the bill and headed back to the room. Normally, someone “verbifying” a noun makes me crazy. In this case, I thought it was hysterically funny.
One of my favorite testbeds, shot with the Fuji X-T1, a Nikkor 50mm f/1.4, and the Metabones Turbo Booster.
One of my favorite testbeds is the hedgerow of rosebushes that bounds the old Carson Lumberyard flume and the vacant lot south from the DPS/DMV building. In the morning there is plenty of sunshine on the bushes and flowers and the Girl loves to play in this area. So she doesn’t mind if I spend a few minutes playing with the flowers.
I think the Fuji glass is very good. I’ve written about that before. In fact, the glass is the reason I abandoned the Sony cameras and moved to the Fuji platform.
However, the experimenter in me lives on. I have a deep affinity for the lenses I used to use on 35mm film cameras. Forty years ago, as a young man, I lusted after Nikon bodies and Nikkor glass. Many professionals carried a couple of F-series bodies and a pouchful of Nikkor lenses. I could not afford one then.
Now every thing is digital, except for a few diehards. I find digital images sterile. They are often technically perfect (or nearly so), but they feel dry to me. At least, many of them do. And those that are heavily processed might be very interesting as art, but there is something missing from an image that is assembled from a variety of parts. I find art in seeing the subject, determining that there is something interesting/moving about it, and then finding a way to capture that image in the camera. It is a different process than much of what I see and is definitely old school.
In playing with these old lenses on a digital body, I can recover some of what I looked for with film. It isn’t perfection; it is a mood conveyed by light, subject, and composition. The capture doesn’t have to be perfect (this one is not). The post-processing is limited to making minor adjustments in exposure, contrast (global and local), and a bit of sharpening. That’s about all I do. (The exception is conversion from color to monochrome.)
The Metabones adapter is interesting. It converts the lens to an equivalent angle of acceptance of a lens 0.62 times the focal length (which makes the angle of acceptance the same as the original on full frame). But it also adds a stop of additional light gathering power and I think it makes a commensurate change to the perceived depth of field.
I’m still working that out in my head. I have an article drafted that contains my analysis of the differences in sensor/film size, lens focal length, lens speed, and depth of field. I need to finish that one day and publish it here.
In any event, the legacy Nikkors are very good lenses. I like them a lot.
The Girl and I were poking about the old flume wetland yesterday morning. The sun was pretty and the bright yellow of these sunnies caught my eye. So we paused while I made a couple of captures and the Girl did doggies things.
She never seems to mind my pauses. Although if my visit with another person goes too long, she will ask to move along. Heh…
On this morning I had the Fuji X-T1 with a Micro-Nikkor 104mm f/4 mounted on a Metabones Ultra Turbo Booster that’s been languishing in my collection for awhile. I decided it was time to get out the X-T1 and some of my favorite Nikkors and work with them.
One of the things I like about Fuji glass is that it is impeccable. It is sharp, has good color rendition, and has low distortion. However, I also think the images are a bit sterile. They lack the character that legacy glass provides.
It seems that if I want really accurate reproduction of the subject, then the Fuji glass is the way to go. However, if I’m looking to explore the interaction of light and lens, then legacy glass has its appeal.
I also enjoy experimenting with odd glass as well. I am playing with 16mm movie camera lenses on my Micro 4/3s body. I also play with TV lenses on that one as well. The Micro 4/3s format is nearly perfect for glass with image circles that are intended for small sensors.
But I’m really entering into another discussion than the one appropriate for this entry.
